• 32-channel digital mixer (controllable with or without iPad)
  • 17 motorized faders, dedicated buttons and knobs for key functions
  • 24 onboard inputs and 14 outputs - expandable up to 64 x 54
  • Fully featured, comprehensive iPad control for all major functions
  • Wireless and wired iPad control (two at same time)
  • Easily expandable to include personal mixing and multi-channel playback/record


iPad Meets Professional Digital Mixing Console


The M-200i being part of the V-Mixer family means it has award-winning sound quality, operation and expandability – all condensed into a compact body. It is a V-Mixer with 24 analog inputs, 12 analog outputs and stereo digital output (AES/EBU) all built-in to the main unit. It's ready to perform, out of the box.

With the built-in REAC port, it is easily expanded to include remote I/O simply by adding a Roland Digital Snake head.

Expand further with any other device from the REAC family including Personal Mixers and/or Multi-channel Recorder/Player technology. Inside it is equipped with a fully spec'd 32 channels plus Main LR, 8 AUX, 4 Matrix outputs, along with 8 DCA groups.

It is loaded with four multi-effect processors and four 31-band graphic EQ units which are requirements for any professional live sound production. Other popular functions including WAV recording/playback using USB memory, remote control via PC/Mac, and DAW recording.

Add to that powerful and comprehensive iPad control and the M-200i V-Mixer clearly stands out as the new direction for live consoles in any venue.




iPad Meets Professional Digital Mixing Console

The flexibility and mobility of comprehensive iPad control fused with the reliability and precision of a professional digital mixing console.

Cutting edge hybrid surface that combines an iPad with a physical controller.
The iPad functions as a large touch screen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorized faders. The advanced "Touch & Turn" surface provides a more convenient mixing environment than ever before by allowing you to touch a control on the iPad and control it with a physical knob.

All functions required for high-end live audio production are included.
Comfortable mixing capacity with 32ch inputs + Main/8AUX/4Matrix outputs. Despite its compact size, the M-200i ensures a comfortable 32ch input mix capacity. The output has the full specifications of Main(LR)/8AUX/4Matrix, which supports many mixing applications. Any of the built-in 24 analog inputs, the 40x40 channels on the REAC port, the effect outputs, and USB memory recorder can be assigned to the 32 channels.

Highly flexible performance regardless of your operational preferences.
By incorporating the iPad, the M-200i can be operated in a variety of styles to fit any situation. Sound checks can be performed remotely from the stage or any location/seat in the room using the iPad. At the same time, all operations can still be performed at the console using the built-in display and dedicated knobs and buttons.

All input channels are equipped with two dynamics processors and a 4-band parametric EQ.
A gate/expander, compressor and 4-band parametric EQ are available on all 32 channels. The basics of any mix starts with good channel processing and the M-200i has it covered. The Main/8AUX/4Matrix output buses are all equipped with a compressor, 4-band parametric EQ, limiter, and delay.

Internal or remote head amp circuitry is digitally controlled for full recall.
The head amp control circuit is fully digitalized so at the touch of a button, all the parameters can be saved or recalled instantly. An externally connected Digital Snake is easily connected and remotely controlled perfectly from the M-200i surface.

24x12 Analog I/O that is easily expanded with REAC.
16 mic/line inputs, 8 line inputs, 2 main outputs, and 10 assignable outputs are all included in the compact body. Connect a Digital Snake to the REAC port to expand the number of inputs and outputs. It is also equipped with stereo digital output (AES/EBU) for directly connecting digital devices, as well as two headphone outputs for multiple-operator monitoring.

Discrete design of high-grade head amp circuit. Instantly save/recall all parameters.
16 inputs are equipped with a discretely designed high-grade microphone preamp circuit. The full digital control specification allows for instant saving and recalling of all parameters such as input gain, padding, and phantom power. An externally connected Digital Snake is fully controlled remotely.

Equipped with four versatile multi-effect processors. No need for outboard gear.
Four multi-effect processors can be easily inserted into any input channel, AUX bus, matrix bus and final output bus. Effect types can be selected from fifteen kinds of processors including reverb and delay, as well as three kinds of Roland "Vintage Effects" which are praised by audio engineers throughout the world.

Effect Type
Stereo Reverb, REVERB+GATE, DELAY x 2, LONG DELAY, Multi Tap Delay, Cross-modulation Delay, Stereo Chorus, Stereo Flanger, Stereo Phaser, Channel Strip x 2, Pitch Shifter x 2, GEQ, STEREO FLANGER SBF-325, PHASE SHIFTER SPH-323, DIMENSION D SDD-320

Four 31-band graphic EQs - crucial for fine sound correction.

Four 31-band graphic EQs are included which are indispensable for live venues. Used together with signal delay on the input channel and output bus, detailed sound adjustments can be easily performed with the M-200i. In a venue where more detailed sound correction is required, eight more 31-band graphic EQs can be used by selecting the graphic EQ from the four multi-effects.

Built-in USB memory recorder for Uncompressed WAV recording.
Any two of the Main/8AUX/4Matrix outputs can be recorded as a 16-bit, uncompressed WAV file by inserting a USB memory stick in the back panel. WAV files stored in USB memory can be also be played from any input channel. In addition, the USB memory can be used for saving/loading configuration files on the M-200i.

The compelling convenience and effectiveness of remote control operation.

Channel Strip Channel EQ Channel Edit

Comprehensive iPad control enables even better ways to mix a room.
Not just a few functions but comprehensive control - new workflows and ways to mix a room. Remotely control all aspects of the mix from the iPad and enjoy the feeling of superior response and comfortable operation. One of the compelling features the M-200i brings is the comfort of a surface with faders, knobs and buttons so tightly integrated with fully featured iPad screens that go well beyond controlling just a limited set of features. A wireless connection is established by simply attaching the WNA1100-RL Wireless USB Adapter or a wireless LAN access point that in turn allows the user to remotely control the M-200i with the iPad from the stage or any location in the house. Operating the M-200i is not limited by its physical location.

The DOCK CABLE for connecting the iPad is included.
The DOCK CABLE connector for the iPad provides a reliable wired connection and stable operation which is not affected by fluctuations in electrical current. The DOCK CABLE connector also supplies power to the iPad.

Control remotely from a PC (Windows/Mac)
The M-200i can be controlled remotely from a PC (Windows/Mac) by using the M-200i RCS* dedicated software. You can operate the M-200i simultaneously from the iPad, a PC and the M-200i itself. *The M-200i RCS is a free download.

Three types of wireless connections.
The M-200i and an iPad can be connected wirelessly by attaching the "WNA1100-RL"(sold separately) dedicated wireless USB adapter or connecting with a wireless LAN device directly. The M-200i can then be operated from a remote location such as the stage or any seat in the house using the iPad. Depending on the situation, the communication method for the iPad and the M-200i can be selected from one of three types: "cable LAN connection," "wireless LAN connection," or"Ad-Hoc connection."

Various methods of recording to fit any venue and application.
With REAC, it is a simple setup to enable high quality live multi-channel recording with the M-200i. Connect a computer's network port via a Cat5e/6 cable to the REAC port and record up to 40 channels directly to "Cakewalk SONAR Producer" DAW software. Edit and mix immediately after the recording. When the R-1000 48-track recorder/player is connected, a full playback and recording environment is enabled for virtual rehearsals, trainings and live capture. This way a fully integrated playback and recording system can be built without using a computer. Use the S-MADI unit to interface into MADI-based recording or broadcast environments. The S-RDK REAC Driver Kit is required for recording to Cakewalk SONAR Producer. The Roland OCTA-CAPTURE, the FA-66, or the VS-700R is required for monitoring.

The superior operability of the control surface enables all operations from the unit itself.
The M-200i can perform all operations with the moving faders, buttons and konbs on the main body itself. The parameter levels, system settings, and level meters can be confirmed with the LCD screen located on the top right corner. If an unexpected problem occurs with the iPad, all operations can be performed with the M-200i exclusively.

Remote control interface including MIDI and RS-232 connectors. Supports V-LINK to sync with video equipment.
The back panel is equipped with MIDI connectors to transmit and receive data to and from external devices along with an RS-232C connector for integrated wall-panel and other types of remote control. The MIDI connectors support V-LINK, which makes it possible to link to Roland video equipment. When a device such as the V-40HD Video Switcher is connected, video images can be synchronized with the volume control of any channel – a true audio-follows-video configuration.

logo_reacThe backbone of the V-Mixing System is based on REAC – Roland's Ethernet Audio Communication transmission protocol for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues and have been used for high profile events worldwide. REAC's 24-bit, 40x40 channel protocol delivers pristine digital audio via lightweight, inexpensive and easy to install cable (Cat5e/6). REAC technology is immune to externally induced signal quality degradation or hums and buzzes typically found in analog systems. You have more freedom in cable placement resulting in lower cost and better sounding.



INPUTS: 24 (64 when using optional REAC devices)
OUTPUTS: 14 (Max 54 ports when using REAC Devices)
Signal Processing
AD/DA Conversion: 24 bit
Sample Rate: 48.0 kHz or 44.1 kHz
Console Latency
2.0 mS (typ.) *1
* Total Latency of audio signal from M-200i's console inputs to M-200i's outputs.
* Sample Rate: 48.0 kHz * Effects: No insert effects
Network Latency
2.5 mS (typ.) *1
* Total System Latency of audio signal from S-1608 inputs to outputs via M-200i's REAC ports.
* Sample Rate: 48.0 kHz
* Effects: No insert effects
INPUT jacks (1 to 16): XLR-3-31 type (balanced, phantom power)
INPUT jacks (17 to 22): 1/4 inch Phone type (balanced)
INPUT jacks (23 to 24): RCA Phono type
ASSIGNABLE OUTPUT jacks (1 to 6): XLR-3-32 type (balanced)
ASSIGNABLE OUTPUT jacks (7 to 10): 1/4 inch Phone type (balanced)
MAIN OUTPUT jacks (L, R): XLR-3-32 type (balanced)
PHONES jack: Stereo 1/4 inch phone type, Miniature phone type
AES/EBU OUT jacks: Optical type
REAC port: RJ-45 EtherCon type
RS-232C connector: 9-pin D-sub type
MIDI connectors (OUT/THRU, IN): 5-pin DIN type
LAN port: RJ45 type
DOC CABLE port : 10-pin mini DIN type
DOC CABLE port : 10-pin mini DIN type DC IN jack
Grounding terminal
* XLR type: 1 GND, 2 HOT, 3: COLD
* Phantom power: DC+48V (unloaded maximum), 14mA (maximum load, All XLR type inputs)
Input/Output Characteristics
Frequency Response
ASSIGNABLE OUTPUT jacks (1 to 10): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.)
MAIN OUTPUT jacks (L, R): -2 dB / +0 dB (20k ohms load, +4 dBu, typ.)
PHONES jack: -3 dB / +0 dB (40 ohms load, 150 mW, typ.)
* Sample Rate: 48.0 kHz or 44.1 kHz
* Input Connector: INPUT 1 to 24 (Pad: ON, Input sens: +4 dBu, 20 Hz to 20 kHz
Total Harmonic Distortion + Noise
ASSIGNABLE OUTPUT jacks (1 to 10): 0.05 % (+4 dBu, typ.)
MAIN OUTPUT jacks (L, R): 0.05 % (+4 dBu, typ.)
PHONES jack: 0.05 % (40 ohms load, 150 mW, typ.)
* Sample Rate: 48.0 kHz or 44.1 kHz
* Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
Dynamic Range
ASSIGNABLE OUTPUT jacks (1 to 10): 102 dB (typ.)
MAIN OUTPUT jacks (L, R): 102 dB (typ.)
* Sample Rate: 48.0 kHz or 44.1 kHz
* Input Connector: INPUT 1 to 24 (Input sens: +4 dBu, 20 Hz to 20 kHz)
Crosstalk@ 1 kHz
INPUT jacks (1 to 24): -80dB (Input sens: +4 dBu, IHF-A, typ.)
ASSIGNABLE OUTPUT jacks (1 to 10): -88 dB (typ.)
MAIN OUTPUT jacks (L, R): -88 dB (typ.)
* Sample Rate: 48.0 kHz or 44.1 kHz
Nominal Input Level (Variable)
INPUT jacks (1 to 16): -65 to +4 dBu
INPUT jacks (17 to 24): -28 to +4 dBu
Input Impedance
INPUT jacks (1 to 16): 14 k ohms
INPUT jacks (17 to 24): 10 k ohms
Non Clip Maximum Input level
INPUT jacks (1 to 24): +22dBu (1 kHz, 20 k ohms load, typ.)
Nominal Output Level
ASSIGNABLE OUTPUT jacks (1 to 10): +4 dBu (Load impedance: 10 k ohms, typ.)
MAIN OUTPUT jacks (L, R): +4 dBu (Load impedance: 10 k ohms, typ.)
Output Impedance
ASSIGNABLE OUTPUT jacks (1 to 10): 600 ohms (typ.)
MAIN OUTPUT jacks (L, R): 600 ohms (typ.)
PHONES jack: 49 ohms (typ.)
Recommended Load Impedance
ASSIGNABLE OUTPUT jacks (1 to 10): 10 k ohms or greater
MAIN OUTPUT jacks (L, R): 10 k ohms or greater
PHONES jack: 40 ohms or greater
Minimum Load Impedance
PHONES jack: 16 ohms
Non Clip Maximum Output level
ASSIGNABLE OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.)
MAIN OUTPUT jacks (1 to 10): +22 dBu (1 kHz, 10 k ohms load, typ.)
PHONES jack: 150 mW + 150 mW (1 kHz, 40 ohms load, typ.)
Residual Noise Level (IHF-A, typ.)
-88 dBu (All faders: Min)
-80 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Min)
-61 dBu (Main Fader: Unity, Channel faders: Unity only one INPUT1 channel, Preamp sens: Max)
* Input 150 ohms terminate
* Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R)
* Sample Rate: 48.0 kHz or 44.1 kHz
Equivalent Input Noise Level (E.I.N.)
-126 dBu (Main Fader: Unity, Channel faders: Unity only one channel, Preamp sens: Max)
* Output Connector: ASSIGNABLE OUTPUT jacks (1 to 10), MAIN OUTPUT jacks (L, R)
* Sample Rate: 48.0 kHz or 44.1 kHz
Graphic LCD 132 x 64 dots with backlight
Current Draw
3.6 A
Operation Temperature
+5 to +40 degrees Celsius
+41 to +104 degrees Fahrenheit
DOCK CABLE, TABLET STAND, AC Adaptor, Power Cord, Owner's Manual
Rackmount Kit: RA-10U, Wireless USB Adapter: WNA1100-RL USB Flash Memory
Size and Weight
491 mm
19-6/16 inches
490 mm
19-5/16 inches
198 mm
7-13/16 inches
9.8 kg
21 lbs. 10 oz.
Use USB Flash Memory sold by Roland. Other products are not guaranteed to work.
* 0dBu=0.775Vrms
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
* 1: When a REAC Splitter S-4000D or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be no more than 200 microseconds.


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